TMR013 :: FALLEN Tout est silencieux, OUT SOON !

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Lorenzo Bracaloni is an Italian sound artist who works under the monikers of The Child Of A Creek / Fallen and who has published materials for a variety of crafted based editions. Triple Moon Records is pleased to welcome his new album titled “Tout est silencieux”. To the menu, touching, evocative and partly melodious soundscapes in an instrumental pop and subtly moving ambient mood. Serene cinematic sceneries for your  emotionally introspective moments, suggesting memory lines, gentle dreamy tones and a sense of fragility . Ltd edition assorted with a digital version.

AVAILABLE FROM THE 10th OF AUGUST 2018 : https://triplemoonrecords.bandcamp.com/

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Day Before Us :: New album_early 2018

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NEW Day Before Us album, to be out early 2018. CD digipack limited edition. A spiritual call to travel through wondrous, immersive, darkly moving and elegant soundscapes, stay tuned. Soon available from Twilight and GH Records.

Link: https://daybeforeus1.bandcamp.com/

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Musica in Vetrina // Meanwhile.in.texas Live+intervista

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TUNE IN:

extra links: meanwhileintexas.bandcamp.com
facebook.com/meanwhileintexasmusic

 

 

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NEW ALBUM :: “Gestimmtseit” by Odio Sis [TMR0012]

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Artist: Odio Sis. Album title: Gestimmsteit. N°cat: TMR012

Onlineshop: https://triplemoonrecords.bandcamp.com/

Press release: Ninas Hoppas (alias Odio Sis) is a young sound artist and industrial noise maker coming from Paris, France. Her new EP welcome by Triple Moon Records delivers radical-assaultive electronic drone moves, distorted interferences and grainy mindscaping experimentations. An album which is way recommended for fans of pioneering works in the field of Italian power electronics / death industrialism. The album is titled “Gestimmtseit” and availble as small limited edition, 30 copies. 

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Interview with Nicola Fornasari (aka Xu, La petite vague…)

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Nicola Fornasari is an eclectic ambient artist coming from Cremona (Italy). Firstly trained as bass player involved in the harcore band Entropia he turned his creative interest to new musical fields back in 2007 with the formation of his solo project Xu. In itself his musical register can be appreciated as a medley between minimal dronescapes, ambient experimentalism, modern classical and aleatoric sound manipulations based on found sounds, concrete noises. His musical production has been welcomed by a number of labels, including Eilean, Cathedral Transmissions, Twice Removed, Triple Moon Records and al. Nicola is preparing a new album, up to be published on the 4th of July by Flaming Pines (for their “tiny portraits series”).

What is your musical background and how have you decide to produce your own music in first place?

I was the bass player and singer of the hardcore band Entropia from 1995 to 2006, releasing stuff on various international compilation, a 7″ on Tenia Records (ITA), a full length CD on Six Weeks Records (USA) and playing more than a hundred gigs all around Italy and Europe. I do not have any classical music preparation but, since I was little, I have always listened to a lot of different genres (from early Motown Records to 80s darkwave, from Franco Battiato to Dead Kennedys, from Fugazi to Bjork and so on…).At the end of the 90s I was in love with trip-hop (Massive Attack, Tricky, etc.) but also with The Orb psychedelic ambient stuff. In that period I also listened to a lot of dub music, as well as drum&bass and jungle… but something really change when I began to dive regularly into the enormous Coil discography; I can’t say how their work has influenced me as a musician, but I must admit that their imaginary at the time has influenced me a lot. Another band that I must mention are Stars of the Lid that made me fall in love with drone / beatless music.
So I started working as Xu(e) in 2007, as Xu in 2010 and as La Petite Vague in 2012.

What is your compositional plan and how would you define your music?

I usually start playing (and looping) without any particular plan or scheme. During these impros I use the minimum number of sound sources + my standard setup that includes a small mixing desk, contact mics, stompbox pedals and an iPad with Borderlands Granular or Samplr (as appropriate). In this way I recorded hours and hours of material on a multitrack Motu audio interface. During the second part of the process I listen to all the recorded material and select the best moments, then I proceed to the mixing, which typically does not involve heavy DSP processing but simple EQ and layering. By the way, I do not know how to define my music… I can only assure it comes from the non-rational and instinctive part of my personality and, consequently, is simple and sincere and hope – in some ways – spiritual.

What are you currently working on?

At this moment I am completing my new record as Xu. As regards Xu(e), we’ve been working for more than a year on a record with many collaborations (hope it will soon see the light!). Recently I came back to work with Vincenzo Nazzaro (Rooms Delayed), we’re slowly recording stuff for a brand new album.

CONTACT & INFO:
http://www.substance.it/
https://soundcloud.com/nicola-fornasari
https://xu-substance.bandcamp.com/
https://xu3music.bandcamp.com/
https://lapetitevague.bandcamp.com/

Xu & Rooms Delayed new soundscape is included in the compilation “Acquainted with passing clouds”: https://triplemoonrecords.bandcamp.com/

 

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Interview with Vincenzo Nazzaro (aka Rooms Delayed)

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Vincenzo Nazzaro aka Rooms Delayed is a sound artist coming from Bologne / Avellino (Italy). His sound production consists of an articulation between expressive droning textures, e-guitar experimentations and various micro noises. He notably recorded materials with Nicola Fornasari (from Xu…). Published albums in digital format, also as ultra limited craft based editions.

What is your musical background and how have you decide to produce your own music in first place?

I first approached music a long time ago strumming with the guitar…until it found me. I started with an instrumental band, our mail influences were bands as Sonic Youth, Fugazi and more. At the same time I have kept wandering in my own musical research inspired by musicians as Basinski, Fennesz, Hecker, Ambarchi (just to name the few); so I’ve started experimenting sounds, media and blends to record ambient/drone music.

What is your compositional plan and how would you define your music?

My music conveys all sorts of what inspires me at that very moment, so I don’t have a “structure” plan per se. I feel at ease designing atmospheres with guitar and reverberations (sonancies).

What are you currently working on?

 At present I’m working on a new and challenging piece with my dear friend Nicola Fornasari. I’ll keep you posted!!!!!!

website: https://soundcloud.com/rooms-delayed

Rooms Delayed & Xu new soundscape in collaboration has been published in the compilation V/A: Acquainted with passing clouds. triplemoonrecords.bandcamp.com/

Xu & Rooms Delayed past release on Triple Moon Records:

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Interview with ‘Day Before Us’ vocalist Natalya Romashina

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Day before Us is a neoclassical music act and dark ambient project with an interest for the mystical romanticism and symbolical poetry from past to present. The project was formed by Philippe Blache in 2010. Several physical albums have been signed and internationally distributed by Rage in Eden, Cold Spring, OPN, Twilight Records…

1. – What is your musical background and how have you been involved as a singer for Day Before Us?

Being trained classically first as a pianist in the musical school, then as an opera singer at the faculty of arts I have a long-term experience of performing on the stage, a diverse musical background, influences and have been experimenting with some genres of contemporary music (rock, neofolk, symphonic metal…). I’ve joined the project “Day Before Us” in 2015. Since my first listening to the project’s music I’ve been immediately immersed in this ethereal sublime sonority that speaks to me in such a magical, deep-rooted and special way. The vocal parts and lyrics have started to reach my consciousness very airily and are going in a harmonic accordance with the instrumental ones. Suchwise our first hauntingly beautiful and full of atmosphere collaborative song “Voyna Serdtsa” was born and subsequently featured on the next project’s album “Prélude à l’âme d’élégie” published in December 2015. After that we continued our cooperation developing our spiritual musical revelation and becoming a strong creative union.

2. – What is your compositional plan and how would you define your music ?

The dense whirls of  “Day Before Us” compositions find a reflection in  the sounding of nature’s enigmas, echoes of symbolic poetry, ancient myths and mysterious places, lunar cycles and fabulous flights of imagination… Lyrically inspired by these sources Day Before Us aims to be timeless.

We are creating our music as a duet now and keeping on to evolve our mutual musical conception.  Up to this day we’ve released together two more albums: EP “Enlightening Secrecy” (May 2016) and LP “Nihil Interit” (December 2016). Each song is a story and each album has its deep reflective intention.

3. – What are you currently working on ?

During this year we proceed with the new materials for several compilations which will be published on various digital / physical editions. We also pursue to work on our new album that is going to be out at the end of the year. This album will be based on the mysticism of the ambience, influenced by one of the characters in the Slavic mythology…

Until recently we occasionally present our music performing at different concerts, events and meetings around. We’d like to expand this idea and move on this direction being opened to play live.

Webpage: https://daybeforeus1.bandcamp.com/

Day Before Us’ Depicted chronicle new soundscape has been included in the compilation “Acquainted with passing clouds”: https://triplemoonrecords.bandcamp.com/

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